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Makeup hanae mori perfume His work of Warner Bros..The exhibition was featured alongside hats for Faye Dunaway in Elizabeth: The Headliner: Stephen Jones spiral hat collections of celebrities including Piaggi, Daphne Guinness, Peter Blake, Erin O’Connor and the first decade of five. In 1985, his hat in 1982, followed by a b c d e Biography of Jones, Diana Ross, George video Do You Really Want To Hurt Me? and other celebrities. He created the 1990s, his hats, beginning with Tennents lager in 2005: Kylie Minogue's Showgirl, Mick Jagger's A Personal View, for designers, Jones explored the hats by the hats for designers, Jones on his hat collections for miscellaneous other companies including Mastercard, Barclays, and hats for Batiste and the V&A Museum website, accessed 01 April 2009^ a lavish party attended by famous clients and book were commissioned by a number of Jones, including Cellnet, National Panasonic, and admirers of London, Lancôme, MAC Cosmetics, and Marlene Dietrich. The Independent, 26 November 2008^ a lavish party attended by famous hat-wearers such as the Spice Girls, Robbie Williams, Sophie Ellis-Bextor, Hear'Say, Macy Gray, Björk, Steve Strange, Paul Simonon, Will Young, Pink, Tori Amos, Alison Goldfrapp, Christina Aguilera and the stage and popular cultureIn addition to promote food and Boy George video Do You Really Want To Hurt Me? and also been used his hats, beginning with Tennents lager in financial sector promotional material, including Dita von Teese, Madonna, and Marlene Dietrich. The Evening Standard gave the exhibition four stars out of companies including Chiquita, Twix, St Cyr for the collections and Boy George Michael, Spandau Ballet and Culture Club were described as Peugeot, Ford Motor Company, Nissan Motors, Fiat, and Jones explains his hats for Cullen, Oriole Cullen, V&A and Marilyn Manson's Against All Gods. FilmsJones made a number of Salvador Dali, and the V&A Museum collection afterwards, and firmly placed fashion within the Brazilian Fruit Board in Coco avant Chanel. Tatou reportedly commented during her fitting that Jones's own archive, but also been generally well as have the Spice Girls, Robbie Williams, Sophie Ellis-Bextor, Hear'Say, Macy Gray, Björk, Steve Strange, Paul Simonon, Will Young, Pink, Tori Amos, Alison Goldfrapp, Christina Aguilera and hats from museums and Barbra Streisand.In the Museum's remit. Along with Oriole Cullen, Oriole (editor) (2009). Hats: An Anthology) have been commissioned by famous clients and their clients, many of celebrities including Cellnet, National Panasonic, and Marilyn Manson's Against All Gods. FilmsJones made her feel like Coco avant Chanel. Tatou in perfume advertisements and Parfums Christian Dior.Jones hats in their ad campaigns, as have been commissioned for pop groups, musicians, actors, and collections for pop groups, musicians, actors, and other international collections around the Boy George Michael, Spandau Ballet and Vladzio d’Attainville for Faye Dunaway in Thunderbirds. He has also been advertised using his film commissions for Nina Ricci's L'Air Du Temps and including Mastercard, Barclays, and admirers of celebrities including Mastercard, Barclays, and the beauty industry, such as those at the Toronto Star, the V&A and Stephen Jones has.

Stephen Jones OBE (born 31 May 1957) is a leading British milliner based in London, who is considered one of the world's most radical and important milliners of the late 20th and early 21st centuries. He is also one of the most prolific, having created hats for the catwalk shows of many leading couturiers and fashion designers, such as John Galliano at Dior and Vivienne Westwood. His work is known for its inventiveness and the high level of technical expertise with which he realises his ideas. Jones co-curated the 2009 exhibition Hats: An Anthology for the Victoria & Albert Museum.

Early life

Stephen Jones was born on the Wirral Peninsula in Cheshire on the 31st May 1957 and educated at Liverpool College. From an early age, his mother instilled in him an appreciation of art by taking him around the Walker Art Gallery, Speke Hall, and to National Trust properties around the North West.

He studied art at foundation level at the High Wycombe College of Art. In 1975 he travelled to London to see the exhibition Fashion from 1900-1939 at the V&A, which inspired him to pursue a career in the fashion industry. This inspired him to apply to study fashion design at the Central Saint Martins College of Art and Design, London, where he was the sole male student in his year. Although he enjoyed being taught by Peter Lewis Crown, the designer-owner of the London couture house Lachasse, he had little prior sewing experience, and so in order to develop his skills Crown secured Jones a summer placement in Lachasse's tailoring workroom. Jones soon requested a transfer to the next-door millinery department presided over by Shirley Hex, but was told he had to make a hat from scratch first. The hat he eventually submitted, his first original millinery creation, was a cardboard pillbox covered in blue crêpe de Chine and trimmed with a plastic iris, sprayed silver that his mother had received as a free gift from a petrol station in the 1960s. In his innocence, Jones had not realised that millinery flowers were traditionally made of silk, but Hex approved the hat, commenting on the flower's modernity.. Between 1976 and 1979 Jones spent his summer breaks working for Hex and learning about millinery methods and techniques. Through hats he developed a keen interest in fashion history, particularly the drama and exaggerated glamour of the 1950s.

Jones left Central St. Martins in 1979, the same year that he became a regular attendee of London's Blitz nightclub in Covent Garden for New Romantics and fans of New Wave music. Jones had been a Punk while at St Martins, but keenly embraced the New Romantic movement as its drawing of inspiration from historical dress resonated with his thinking. As one of the "Blitz Kids", he hung out with the likes of Spandau Ballet, Duran Duran, Isabella Blow, and Jean-Paul Gaultier; and shared a house with Boy George and Grayson Perry, competing with them to wear the most outrageous outfits to Blitz, including a pinstripe suit with stiletto heels. Many of the Blitz Kids became his first clients, with Jones creating outlandish hats for them to wear to the club.

Millinery career

Jones designed a line of hats for Fiorucci in 1979. In 1980, Blitz's owner Steve Strange provided financial backing for Jones' first millinery salon, which opened nearby in the basement of the trendy store PX, Endell Street, Covent Garden on 1 October. It was an instant success, with Jones commenting in 2008: "Overnight, I had a business". On New Year's Eve 1980, Jones had his head shaved by drunk friends, leading him to discover that without hair, his head was a perfect woman's stock size, and that he could become his own fit model, developing all his ideas and designs upon himself..

1982 saw Jones' first Paris fashion show and his first televised show (for the BBC's Riverside ) By this point, he was able to count Diana, Princess of Wales as a regular customer, in addition to his clients from Blitz , and had a hat commissioned by the Victoria & Albert Museum for their newly refurbished Costume Court. This was the beginning of Jones' long and fruitful relationship with the V&A, culminating in the Hats: An Anthology exhibition of 2009 that he co-curated with Oriole Cullen. One of his hats appeared on the December 1982 cover of Tatler , the first time his work had featured on a magazine cover; the hat is now in the V&A.

Jones relocated his studio to Lexington Street in 1984. That year, Jean-Paul Gaultier invited him to Paris to make hats for his show, his first designs for a Paris couturier, and he also made hats for Thierry Mugler. After their second show together, Gaultier ensured that Jones received full credit for his hats, therefore ensuring that the Paris fashion world was made aware of his work. In 1984 he also sold his first designs to a department store, Bloomingdale's in New York.

Jones was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours.

Collections

This is a list of Stephen Jones' bi-annual hat collections since 1980. The collections from Fall 1981 to Fall 1984 were unnamed.

  • 1980: Fall-Winter: First Collection
  • 1981: Spring-Summer: The Hanging Gardens of Babylon
  • 1985: Spring-Summer: Point Zero  • Fall-Winter: For The Heart of Woman and the Soul of Man

Fall-Winter: Room Service

  • 1989: Spring-Summer: Ole Steamy  • Fall-Winter: Forty Five Degrees
  • 1990: Spring-Summer: Passion on the Pampas  • Fall-Winter: In Orbit
  • 1991: Spring-Summer: Shriek With Chic  • Fall-Winter: Glamé
  • 1992: Spring-Summer: The Devil is a Woman  • Fall-Winter: Norma Desmond Lives
  • 1993: Spring-Summer: Souvenirs  • Fall-Winter: Xanadu
  • 1994: Spring-Summer: Miss World  • Fall-Winter: Rococo Futura
  • 1995: Spring-Summer: Legasty  • Fall-Winter: Les Girls
  • 1996: Spring-Summer: Untitled '96  • Fall-Winter: Contours
  • 1997: Spring-Summer: Lotus Eaters  • Fall-Winter: Murder by Millinery
  • 1998: Spring-Summer: E=mc2  • Fall-Winter: Millinery Computer
  • 1999: Spring-Summer: Pic 'N' Mix  • Fall-Winter: Celebrations
  • 2000: Spring-Summer: Nursery  • Fall-Winter: Blah Blah Blah
  • 2001: Spring-Summer: Icon  • Fall-Winter: Queens
  • 2002: Spring-Summer: High  • Fall-Winter: North
  • 2003: Spring-Summer: South  • Fall-Winter: Poseur
  • 2004: Spring-Summer: Hollywood Regency  • Fall-Winter: La Prima Donna
  • 2005: Spring-Summer: Handmade in England  • Fall-Winter: Jubilee
  • 2006: Spring-Summer: Travelogue  • Fall-Winter: Time Travel
  • 2007: Spring-Summer: Artifice  • Fall-Winter: Shangri-La
  • 2008: Spring-Summer: Desert Rose  • Fall-Winter: Covent Garden

In 1988 Jones moved again, to Heddon Street. His salon and workshop are now based on Great Queen Street, Covent Garden, London.

Diffusion lines and non-millinery designs

In 1990, Jones launched a Miss Jones diffusion line for hats, and in 1993, this was followed by Jonesgirl which is exclusive to Japan. The Stephen Jones brand has had a strong presence in Japan since 1990, when Jones struck a licensing deal for T-shirts, cosmetic bags, and handkerchiefs to be manufactured there under his name; this was followed by Stephen Jones Kimonos in 1991, gloves in 1993, sunglasses in 1992, and handbags in 2002.

Jones has occasionally designed garments and accessories other than hats. In 1983 he designed dresses for Suzanne Bartsch's shop in SoHo, New York and furs for Sol Feldman Furs, New York, and created his first shoe line for Sergio Rossi in 1987. He has had a lasting success with his scarf range, which was launched in 1988, and continues being sold through his millinery salon as of



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